Monday, November 22, 2010
While waiting for Sian’s feedback last week I started assembling my materials, light fabrics, handmade papers, momigami-treated papers, threads, ribbons, fibers …
Not everything is going to be used in the embroidered panel and other bits and pieces will be added to my heap as the project develops. On the bottom left there are some block letters I have been machine stitching on layers of organza, maybe they will be used maybe not.
The background is made up by two layers of heavy Lutradur (size of each 80 x 80 cms) in light shades of green - I mixed my green hues from Setacolor Transparent lemon yellow, buttercup yellow, cobalt blue and ultramarine blue and sponged them on the Lutradur. I chose these silk paints since they really look like watercolours, do not stiffen the fabric and can be easily fixed by ironing.
The two sheets were then tacked together – I left open edges all around in order to be able to add other elements in between the sheets-, marked the folds and reinforced them through a narrow and short zigzag stitching. Perhaps these fold lines are going to be covered and hidden, or perhaps something else is going to happen to them!
Strips and bits of light and transparent fabrics were then fixed with Bondaweb to create variations in colour. I feel some areas are too harsh, I would like to obtain muted and mellow changes for a start. After working on both sides I folded up my ‘book’ for a first check. Now it’s all flat again …
Friday, November 12, 2010
In her latest feedback Sian suggested some other ideas to consider and develop before starting to make the final piece for this Module.
1 - Use of lines/threads to connect all the pages of the folded “book of blogs” as a symbol of interlinking
I think this is a super idea! I like the notion of having continuous lines that hold their shape well in between the pages, so I prepared a thick machine cord using the method learnt in Module 3. I wanted quite a stiff cord that could make loops easily, so I used a string as the core and densely covered it with threads according to my colour scheme for this module (green and red). This cord is threaded through the four corners of the pages and has the added advantage of making the book structure stronger.
To suggest the multiplicity of links I decided to prepare another thin cord to make turns in and out of the main links. I used a 0,5 mm thick nylon fishing line and wrapped it sparsely with threads that don’t cover it completely since I wanted to preserve the idea of transparency and visible “lightness”.
Here are some snapshots of a folded cardboard mock-up, shown as a whole, in a partial view, almost closed and closed – when the book is closed I like how the links remain visible from all sides.
2 - All important decision to take: the embroidered panel is just a page of the book OR the embroidered panel is the whole sheet before folding it up
I prefer to think the whole piece as the embroidered panel, and not a single page for example the cover. This means as Sian said that I need to consider the overall look of the piece both opened and folded to achieve a visual unity.
With this aim in mind this is the way I think I am going to proceed:
- working contemporarily on the sheet as a whole both front and back BEFORE folding it up so as to not lose its overall appearance, and keeping a restricted range of colours mainly green shades with only touches of pink/reddish
- creating empty areas and frames in some pages cutting out parts of the sheet and reutilizing them as little folded books, small structures, grid material and so on as I did in my mock-up from my latest post. I think the reuse of these emptied areas in other ways can help in making the pages look as a whole even if they are different from each other
- threading the cords in the same way as or similarly to what shown in the previous photos in order to visually link the pages
3 - Practical decision to take: which material is to be used as a stiffening agent
My first thought was pelmet vilene. I considered both the classic weight and a new heavier version, the heavy craft plus. The heavy craft plus is absolutely too heavy and bulky and since this is after all a medium size project there is no real reason to use it.
I already had some Lutradur in the light version which could not be considered as a stiffener but since this material has a nice spunbond structure – it looks a bit like certain oriental papers, another reason why I like it - I decided to order the heaviest type and have a go at it.
I sponge coloured it with light washes of green – I used Setacolor Transparent – and I must say that I like it because it is reasonably rigid but also not thick, still partially transparent even in the heavy version and especially because its structure looks very nicely shaded when coloured.
Here is a photo of this new material after colouring
I think I am going to use it as a background and gradually add thin layers to it – like hand-made papers, scrim, nets, grids, lettering etc. I would like to obtain a final sheet that is not too thick and dark, with a delicate appearance since I feel the blogging theme as “ethereal” and light. I have to find a way of making crisp folds since Lutradur is rather springy and does not seem to hold folds well. Perhaps I could run the folds in the sewing machine or check if gently scoring the folds like cardboard might work.
At a later stage I might decide where to cut my windows and frames and how large they are going to be in order to not weaken the sheet too much. Perhaps some cut-out areas might be filled in with mosquito net (another suggestion by Sian) perhaps with the addition of handmade paper …
Happy weekend to everyone
Tuesday, November 2, 2010
This is my proposal for an embroidered panel at the end of Module 4. The inspiration for it comes from the idea of blogging with its network of interlinked pages – it looks to me that the book form is very suitable to express this concept!
My proposal takes the form of a maze book with three cuts and sixteen pages from a single sheet of light cardboard. I started folding a square of green cardboard (48 x 48 cm) in quarters lengthwise and crosswise and made three parallel cuts, thus obtaining sixteen square pages of 12 cm each.
Some pages are left intact, others are cut at the centre to work as frames for the adjoining pages, still others are empty pages with grids. Threads, booklets, etc are fixed to the full pages and can be seen and protrude through the frames.
I have decorated the pages with pieces of paper and other small items just to develop first ideas of how the finished item might look. This mock-up is nothing final and the embroidered item will certainly look different.
Perhaps I could add other elements, threads or whatever, to the top edges of the final assessment pages but it is still too early to know.
For the final embroidered item I am thinking of using a somewhat larger sheet of pelmet vilene to act as support – the pages could be a bit larger, perhaps 15 or 16 cm each - and of covering it on both sides with collaged layers based on my samples for this module …
This is a general view of my mock-up from front cover backwards. In front a small sample showing how the mock-up is folded.
Flat view – front or main side
There is really no front or back side for the book since all pages are visible when the book is folded. The main view is simply the side of the flat view in which all pages are to be decorated or embroidered.
Flat view – back side
On the reverse side some pages are left empty since when the book is folded these pages are hidden from view
This is how the front cover looks when the mock-up is folded flat: the threads on page three are jotting out through page one which acts as a frame
The back cover of the mock up
Some more detailed views of single pages of the mock-up in cardboard